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20121222
20121230
Search Results 0 to 2 of about 3 (some duplicates have been removed)
, of the environment and i think of andy's work in that way, of his experience. we're both from pennsylvania so i always -- i feel a sense of that. but, you know, when i think of the work, again, it's a complete kind of externalization and of playing very god like situation. playing the creator of -- you can multiply, you can procreate image after image and at the same time you can have aspects of how we interpret images of perfection, defined images into abstraction of life and death. so they're so rich, the whole aspect of what it means to be alive and a sense of our parameters that might take place in drama in this work. >> rose: this is? >> well, this is disaster painting. warhol did a number of these orange disaster and it's an electric chair. in 1963 he was preparing for an exhibition in paris and he said "i'm going to call this show "death in america." but the image of death, the electric chair, is made kind of pretty in these electric chairs but i think there's so much conflict or complexity to the prettiness of warhol's banality. i think banality is really i sort of hinted at. i think th
Search Results 0 to 2 of about 3 (some duplicates have been removed)